Thursday, November 26, 2015

Using the Whole Chicken

Rick Vian


The abstract painter is held to the same rules of construction as a representational one but doesn't have the luxury of an obvious subject to lean on to compose and create a space. I'm generally suspicious of an artist who uses loads of paint to persuade the viewer the work has value. Here, Rick Vian uses heavily textured layers to add depth to his magically lit, rollicking descriptions of trees, water, fire. The grids he's introduced in this series seem to hold back the furious brushstrokes from leaping off the canvas. Glimpses of his subjects are expertly revealed in mindful compositions. It's the emotional blast of color that really knocks me out. This is what the Expressionists were aiming for.

I'm more than a little biased on this one. Not only is Rick Vian an abstractionist and one of Detroit's best, he and his brilliant wife Sue Carman are friends. Spoken as objectively as I'm able to, this show is fantastic. On view at the Robert Kidd Gallery in Birmingham through December 19. 

Btw, the second issue of DDEAF comes out next week. I'm thrilled to be asked back as an art contributor. This time it's local sensation Scott Northrup. Hope y'all like it.

*post-script: DDEAF comes out online first week of December. Print January 1.